The Truth About Creedence Clearwater Revival And Its Unexpected End

John Fogerty, Doug Clifford, and Stu Cook’s paths crossed when they attended Portola Junior High School in El Cerrito, California. They founded a band named The Blue Velvets, and John’s brother Tom also joined them for recording and jamming sessions. After changing names a few times, the band members came up with the name Creedence Clearwater Revival in 1968 and began working on their first record.

The band released their self-titled debut studio album on May 28, 1968, and the Fogerty brothers, Cook and Clifford, started to prove their extraordinary talent as instrumentalists more and more. The band received positive reviews for combining different genres such as roots rock, country rock, blue-eyed soul, swamp rock, blues rock, and Southern rock in their songs, but the real success and popularity came with their later work.

Creedence Clearwater Revival’s Most Successful Era

On January 5, 1969, Credence Clearwater Revival released “Bayou Country,” their second studio album. It gained popularity among fans of rock music, received favorable reviews, and peaked on the charts all over the world. The album’s well-crafted sounds and lyrics made it one of the seminal works in rock music. Four further top-selling albums and a number of the highest-grossing tours and shows were released in the wake of the success, but it was all rotten on the inside.

John Fogerty, the lead singer and composer for the group, claimed ownership of CCR’s musical direction and sound. Therefore, despite their widespread fame and economic success at the time, the band broke up due to serious conflicts among its members. Let’s look at more information concerning a crucial departure and what followed.

Tom Fogerty’s Departure And The Disbanding Process

Arguments and differences with the other band members resulted from the CCR singer’s increasing dominance. Tom Fogerty, the band’s rhythm guitarist and his brother, declared in 1971 that he was leaving the group because he couldn’t keep writing and playing in that way. The band didn’t replace him, and CCR turned into a trio in that each member had the right to write, record, and sing the works.

On April 11, 1972, Creedence Clearwater Revival released their seventh and last studio album, “Mardi Gras,” and it appears that assuming John Fogerty’s position in the group didn’t work. As a result of the critics calling attention to its uneven quality and lack of continuity, “Mardi Gras” was deemed a total failure and a letdown. Shortly after their last tour, CCR announced their breakup in the same year.


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